A dialogic character study exploring the broader social impetus of Laud Humphreys’ infamous 1968 dissertation in Sociology, Tearoom Trade. The study was based on observations made in public restrooms in St. Louis, colloquially called "tearooms", where homosexual men of different socioeconomic classes engaged in sexual contact. With his controversial research methods, in which he observed sexual acts as a voyeur, or so-called watchqueen, and conducted interviews, Humphreys deliberately broke with the ethical protocols of science. The film explores Humphrey’s intentions and the context of his research as well as the personal and professional impact of the study on Humphrey’s career.

The two-part feature film 'Masquerades of Research: Part I and II' is a fictional biography of pre-queer sociologist Laud Humphreys, author of the infamous book 'Tearoom Trade: Impersonal Sex in Public Places' (1970, 1975). Part I begins in St. Louis in 1967 in a pre-Stonewall and pre-Watergate USA, exploring the impetus behind Humphreys “Sociologist as Voyeur” research method — a still radical gesture and one of the first in the Western canon to turn the ethnographic gaze back onto the hypocritical conservative mindset that created it. Why can’t statistics be avant-garde? Part II begins in his Californian office in 1975, where we find Humphreys sweating in a radically different USA on the cusp of republishing 'Tearoom Trade'. Its relevance to contemporary discussions of intimacy, social presentation and data control is delicately carried by visual intensities and rich performances that keep as many secrets as they give away.

Professor Johansson has made a huge scientific breakthrough; a device that will create a huge magnetic pulse that knocks out all electricity over a continent-wide area. The military applications are already being thought of when Dr. Johansson is kidnapped by a group of profit-seeking mercenaries. Meanwhile, his daughter, Karin, finds herself having to consort with all manner of shady characters as she searches for her father.

An extensive documentary of the band narrated by Tom Angelripper, featuring interviews to current and ex-members, rare pictures and video footage.

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当地的花心大萝卜Sieng被他心爱的Baikhao甩了，而Baikhao即将结婚。Sieng试图阻止这场让他心碎的婚礼，但没有成功。他还尝试自杀，也悲惨地失败了。与此同时，Pong和他的父亲抗争，并成功开了一家便利店。Jalod和他的妻子Kru Kaew生活幸福，而Herb在他妻子……的时候不得不承担所有家务。

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The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).

Jiro, a freelancer working at a delivery pizza shop, witnesses the brilliant killing techniques of professional assassin Nejime at a gangster's office where he makes deliveries. Jiro rescues the wounded Nejime and volunteers to become his apprentice. From that day on, Jiro learns the art of killing in a dog eats dog world.

"Street Film: Part One" is a metaphor for modern post-industrial life.